practice looks at B/black diasporas, particularly women, and their connection to memory, myth, and land, casting a critical eye on capitalism and environmental consumption.
tries to imagine what may have been forgotten and where we (as a global community) might be going.
Bowling Harbour, 2021
Commissioned by Sustrans
with support from Transport Scotland
Performances:
dreams of salt (and other ghosts) (I, II, and III)
The sculpture processes Atlantic drift wood with metaphors for the treatment for the African slaves being sold, and preparation of ships of the same period. Soot, oil, and rope.